A judgment or recognition recorded in the minutes of the proceedings of a register court, which implies a debt resulting from the contribution to the registration and not an agreement between the parties. A well-negotiated contract will guarantee that the artist is entitled to a 50:50 share of all the label`s ancillary income. This can take the form of advances paid by foreign labels that license your record, compilation revenues, or sync fees paid when a sound recording is used in a movie or TV spot or on a video game. While first-admission transactions generally generate a smaller percentage of royalties for artists, subsequent (or renegotiated) agreements can generate much more potential profits or benefits. Acts such as Madonna, Michael Jackson, R.E.M., U2 and Janet Jackson have signed multi-million dollar agreements. Whitney Houston signed a $100 million contract with BMG to deliver only six albums, the biggest record deal at the time. Robbie Williams has signed an $80 million ($125 million) contract with EMI.  However, for many other artists, millions must follow for millions to become tangible, meet successful albums or surpass their previous sales. Admission contracts may include opt-out clauses for the label if the popularity of an act drops or if the law publishes non-hit albums as part of the agreement. For example, Mariah Carey was dropped by Virgin Records and her $100 million record deal was terminated after her first album, released by the label, failed to sell.  Touring can be expensive, especially if you want to be as above the top as the legendary Iron Maiden rockers. If you`re going on tour to promote a record release, remember that the cost of touring assistance by the label will be recovered from your royalties, so it`s a good idea to limit what can be spent.
Other rights that the label wishes to acquire include the rights to the album work and the right to use the artist`s name and image in the sale and promotion of the records. A hospitality contract may seem like the Holy Grail, but record companies are not charitable concerns and their contracts are not established with your interests in mind. Our guide to the terms of the contract, written by an entertainment lawyer, explains what this means and what the effects are for the artist. It is important not to allow the record company to return the artist`s licensing income to the producer. In the United Kingdom, the progress made by manufacturers is the responsibility of the label. Artists receive royalties on the basis of record sales. In a typical major brand agreement, the artist earns between 14 and 18 percent of the distributor`s price (PPD) of the disc, which can range from 6.50 to 8.50 $US. When the recordings are sold out, this usually happens because either the label has decided that the resale (or distribution) of the disc is not profitable, or the licensing agreement with the artist has expired. (Labels may also end distribution as a punitive measure if an artist does not comply with his contract, or as a strategic measure if negotiations on a new directive prove difficult.) Record labels can also go bankrupt like any other, and their owners and copyrights are sold or traded as part of their assets.
(From time to time, they are bought by the artists themselves.) Admission contracts are legally binding agreements that allow record companies to use an artist`s performance in a sound recording for royalties. Labels generally own the copyright to the recordings their artists make, as well as the master copies of those recordings. An exception is when a label submits a distribution contract with an artist. in this case, the artist, his manager or any other party may hold the copyright (and the master) while the disc is allowed exclusively to the label for a specified period. Promotion is a key factor in the success of a record and is largely the responsibility of the label, as is the proper distribution of recordings.